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做疫情期間的電視主持人,是怎樣的體驗(yàn)?

Jenna Schnuer
2020-04-21

作為一名新聞從業(yè)者,霍普金斯必須隨時(shí)準(zhǔn)備做出一些改變和調(diào)整,以應(yīng)對(duì)突發(fā)的新聞事件。

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瑞貝卡·帕爾莎·霍普金斯是阿拉斯加州安克雷奇市KTUU電視臺(tái)的助理新聞總監(jiān)和《新聞一小時(shí)》節(jié)目的主持人。作為一名新聞從業(yè)者,她必須隨時(shí)準(zhǔn)備好做出一些改變和調(diào)整,以應(yīng)對(duì)突發(fā)的新聞事件。但很少有哪個(gè)新聞事件會(huì)像新冠肺炎疫情這樣持續(xù)“霸版”。

14年前,霍普金斯加入了NBC電視臺(tái)的分支機(jī)構(gòu)KTUU電視臺(tái)。隨著近期美國(guó)疫情的持續(xù)擴(kuò)散,這家地方電視臺(tái)的員工也不得不開(kāi)啟居家辦公的模式。在這種情況下,電視臺(tái)是怎樣報(bào)道疫情的?帶著這個(gè)問(wèn)題,《財(cái)富》雜志的“疫情經(jīng)濟(jì)”專欄采訪了霍普金斯。

為簡(jiǎn)明起見(jiàn),以下采訪稿有刪節(jié)。

瑞貝卡·帕爾莎·霍普金斯是阿拉斯加州安克雷奇市KTUU電視臺(tái)的助理新聞總監(jiān)和《新聞一小時(shí)》節(jié)目的主持人。圖片來(lái)源:BRAD HILLWIG

《財(cái)富》:新聞業(yè)并不是每天都有這樣的日子,但在被新冠疫情“霸版”前,行業(yè)是什么樣子的呢?

霍普金斯:我正在做很多特別的項(xiàng)目,所以最近要么是在做我自己的關(guān)于氣候變化的項(xiàng)目;要么就是跟記者們?cè)谝黄穑瑤退麄兇_定采訪對(duì)象,以及報(bào)道的關(guān)鍵點(diǎn)是什么。接下來(lái)就是為主持當(dāng)天的新聞節(jié)目做準(zhǔn)備,檢查所有的新聞綱要(也就是關(guān)于每分鐘播什么新聞的大綱),以確保稿件不出問(wèn)題。我每天通常要從早上9點(diǎn)工作到晚上7點(diǎn)半。

昨天怎么樣?你的生活有什么變化嗎?

疫情爆發(fā)以來(lái),我的生活出現(xiàn)了巨大的變化。我的新聞總監(jiān)正在阿拉斯加州的邊遠(yuǎn)地區(qū)報(bào)道艾迪塔羅德越野邀請(qǐng)賽。為了讓大家走出辦公室,不要在大樓里工作,我還想了一個(gè)計(jì)劃。當(dāng)時(shí)艾迪塔羅德越野邀請(qǐng)賽剛剛進(jìn)行到半程(也就是3月13日左右)。然而疫情惡化的速度太快了,等到越野邀請(qǐng)賽結(jié)束的時(shí)候(3月22日),我們決定,除必要視頻制作工作,所有記者和攝影師都不得進(jìn)入電視臺(tái)的大樓。

我是助理新聞總監(jiān),做出這個(gè)決定的過(guò)程雖然很艱難,但這是一個(gè)正確的決定。我一直與新聞總監(jiān)通過(guò)電子郵件保持溝通。

在我看來(lái),新聞廣播是一個(gè)協(xié)作性強(qiáng)、需要人人都參與的工作。你是怎樣制定讓大家在家工作的計(jì)劃的?

我經(jīng)常會(huì)聯(lián)系其他電視臺(tái)的人,看看他們是怎么做的。記者和攝影師是最不存在難度的,由于工作性質(zhì)的關(guān)系,他們?cè)缇涂梢赃h(yuǎn)程工作了。但其他人就要難得多,比如主持人和制作人,這些人的工作都本應(yīng)在電視臺(tái)大樓里進(jìn)行。

好消息是,我們的新聞總監(jiān)已經(jīng)回來(lái)了,并要求其他團(tuán)隊(duì)成員在家辦公。天氣預(yù)報(bào)團(tuán)隊(duì)已經(jīng)開(kāi)始在家工作,所有節(jié)目主持人的時(shí)間安排也都做了調(diào)整。而這周我要上夜班,主持所有的晚間新聞節(jié)目,所有其他主持人將在家里審核臺(tái)本。但下周情況又變了,這些主持人將會(huì)輪流上崗。所以目前我的大部分工作還是在電視臺(tái)里完成的,下周可能就會(huì)有一些變化。

下一步是要讓制作人離開(kāi)電視臺(tái)大樓,不過(guò)這是非常困難的。制作人是處理所有信息的樞紐,新聞中的內(nèi)容都由他們整合,需要用電腦做一些非常復(fù)雜的工作。所以總是要有人在制作室里掌握時(shí)間,或者實(shí)時(shí)地做出一些決定。因此讓制作人在家辦公著實(shí)困難。

你和你的丈夫(《安克雷奇每日新聞》的記者凱爾·霍普金斯)都是新聞行業(yè)的從業(yè)者,家里還有兩個(gè)小孩,你們是如何應(yīng)對(duì)這種局面的?

我父親整個(gè)冬天都住在這里,他們本來(lái)是來(lái)滑雪的,所以疫情爆發(fā)時(shí),我父母就已經(jīng)在這里了。要說(shuō)都做了些什么,首先我們知道,自己還是得工作,而且工作時(shí)間會(huì)變得更長(zhǎng);而兩個(gè)女兒也要學(xué)習(xí),不能讓她們整天看電視,那絕對(duì)很糟糕。我母親是一名退休教師,所以我們自然而然地把兩個(gè)女兒送到了父母那里,雖然也很想她們,但還是覺(jué)得,這是個(gè)正確的選擇。

在這種情況下,專注于新聞工作是一件很有挑戰(zhàn)的事。你做這些工作時(shí)是什么感覺(jué)?

我想,由于我的孩子不在這里,所以我更容易專注,因?yàn)楣ぷ髂茏屛颐ζ饋?lái),我很喜歡這種感覺(jué)。我現(xiàn)在感到了一種更高的使命感,因?yàn)楹芏嗳诵枰@些信息。我也很感謝所有觀眾發(fā)來(lái)的郵件和打來(lái)的電話,即便它們現(xiàn)在大都很偏激。

作為一個(gè)管理者,你決定用什么樣的語(yǔ)氣對(duì)待你的員工?你是如何幫助他們克服困難的?

我認(rèn)為,最關(guān)鍵的是要非常小心,不要讓自己情緒失控。眼下大家的壓力都很大。要讓大家明白我們所做的工作的重要性,因?yàn)閷?duì)于觀眾來(lái)說(shuō),知識(shí)就是力量,所以你要把知識(shí)傳遞給觀眾。另外,也要關(guān)心每個(gè)人的未來(lái)。但是對(duì)觀眾來(lái)說(shuō)我們的工作真的很重要,所以重點(diǎn)還是應(yīng)該放在這上面。還有,要打電話給你的父母和朋友。我們的很多員工都很年輕的。

你是怎樣管理自己健康的?怎樣確保自己的工作狀態(tài)?

我平時(shí)經(jīng)常鍛煉。不過(guò)最近去的那家瑜珈館關(guān)門(mén)了,這讓我很難過(guò)。我常去的健身房也關(guān)門(mén)了,這些對(duì)我來(lái)說(shuō)都是很重要的地方。我剛從外面跑步回來(lái),每天工作后,還會(huì)和丈夫一起散步很長(zhǎng)時(shí)間。我們經(jīng)常這樣度過(guò)周末,早上8點(diǎn)起床,然后就去散步,只有我們倆。我需要陽(yáng)光和空氣。

你倆在家辦公時(shí),會(huì)討論工作上的事嗎?或者你們會(huì)約法三章,決定在家不談工作?

工作日,我們養(yǎng)成了一個(gè)壞習(xí)慣,就是談工作談得太多了,尤其是談?wù)撐覀兊膱?bào)道和失敗。而周末通常會(huì)好一些,我們會(huì)不談新聞的問(wèn)題,而是問(wèn):“你看完這本書(shū)了嗎?”或者“你看到女兒們發(fā)來(lái)的搞笑短信了嗎?”

阿拉斯加的疫情遠(yuǎn)遠(yuǎn)沒(méi)有達(dá)到拐點(diǎn),所以你為員工做了哪些應(yīng)對(duì)準(zhǔn)備,并確保他們的健康?

他們互相之間沒(méi)有接觸,這也是我們的目標(biāo)之一,我們給大家分別分配了屬于自己的車輛和器材。公司還買(mǎi)了很多新的筆記本電腦,這樣大家就不用互相接觸了。以往情況下,我們的規(guī)定是,下班后要把設(shè)備留在電視臺(tái)里;而現(xiàn)在,我們請(qǐng)員工把設(shè)備帶回家。

在主持晚間新聞時(shí),獨(dú)自一人在演播室的感覺(jué)怎樣?

很孤單。前幾天我還想過(guò)這個(gè)問(wèn)題,當(dāng)時(shí)還拍了張照片,因?yàn)檫@些年,我身邊總是坐著另一個(gè)主持人邁克·羅斯,我們倆一起主持十幾年了。而現(xiàn)在,這個(gè)一直不變的搭檔卻不在身邊,這種感覺(jué)很奇怪?!缎侣勔恍r(shí)》從來(lái)沒(méi)有一個(gè)主持人的時(shí)候,而昨天卻只有我一個(gè)人。這很奇怪。

觀眾有什么反應(yīng)?

人們有一大堆的問(wèn)題。我們現(xiàn)在有一名記者專門(mén)負(fù)責(zé)回答有關(guān)新冠肺炎的問(wèn)題。我們快被問(wèn)題淹沒(méi)了?,F(xiàn)在也有更多的人打電話過(guò)來(lái),告訴我們“我很欣賞你們的工作?!蔽易罱拥搅艘粋€(gè)觀眾的電話,他問(wèn)我:“你好嗎?”這讓我感覺(jué)很好。(財(cái)富中文網(wǎng))

譯者:隋遠(yuǎn)洙

瑞貝卡·帕爾莎·霍普金斯是阿拉斯加州安克雷奇市KTUU電視臺(tái)的助理新聞總監(jiān)和《新聞一小時(shí)》節(jié)目的主持人。作為一名新聞從業(yè)者,她必須隨時(shí)準(zhǔn)備好做出一些改變和調(diào)整,以應(yīng)對(duì)突發(fā)的新聞事件。但很少有哪個(gè)新聞事件會(huì)像新冠肺炎疫情這樣持續(xù)“霸版”。

14年前,霍普金斯加入了NBC電視臺(tái)的分支機(jī)構(gòu)KTUU電視臺(tái)。隨著近期美國(guó)疫情的持續(xù)擴(kuò)散,這家地方電視臺(tái)的員工也不得不開(kāi)啟居家辦公的模式。在這種情況下,電視臺(tái)是怎樣報(bào)道疫情的?帶著這個(gè)問(wèn)題,《財(cái)富》雜志的“疫情經(jīng)濟(jì)”專欄采訪了霍普金斯。

為簡(jiǎn)明起見(jiàn),以下采訪稿有刪節(jié)。

《財(cái)富》:新聞業(yè)并不是每天都有這樣的日子,但在被新冠疫情“霸版”前,行業(yè)是什么樣子的呢?

霍普金斯:我正在做很多特別的項(xiàng)目,所以最近要么是在做我自己的關(guān)于氣候變化的項(xiàng)目;要么就是跟記者們?cè)谝黄穑瑤退麄兇_定采訪對(duì)象,以及報(bào)道的關(guān)鍵點(diǎn)是什么。接下來(lái)就是為主持當(dāng)天的新聞節(jié)目做準(zhǔn)備,檢查所有的新聞綱要(也就是關(guān)于每分鐘播什么新聞的大綱),以確保稿件不出問(wèn)題。我每天通常要從早上9點(diǎn)工作到晚上7點(diǎn)半。

昨天怎么樣?你的生活有什么變化嗎?

疫情爆發(fā)以來(lái),我的生活出現(xiàn)了巨大的變化。我的新聞總監(jiān)正在阿拉斯加州的邊遠(yuǎn)地區(qū)報(bào)道艾迪塔羅德越野邀請(qǐng)賽。為了讓大家走出辦公室,不要在大樓里工作,我還想了一個(gè)計(jì)劃。當(dāng)時(shí)艾迪塔羅德越野邀請(qǐng)賽剛剛進(jìn)行到半程(也就是3月13日左右)。然而疫情惡化的速度太快了,等到越野邀請(qǐng)賽結(jié)束的時(shí)候(3月22日),我們決定,除必要視頻制作工作,所有記者和攝影師都不得進(jìn)入電視臺(tái)的大樓。

我是助理新聞總監(jiān),做出這個(gè)決定的過(guò)程雖然很艱難,但這是一個(gè)正確的決定。我一直與新聞總監(jiān)通過(guò)電子郵件保持溝通。

在我看來(lái),新聞廣播是一個(gè)協(xié)作性強(qiáng)、需要人人都參與的工作。你是怎樣制定讓大家在家工作的計(jì)劃的?

我經(jīng)常會(huì)聯(lián)系其他電視臺(tái)的人,看看他們是怎么做的。記者和攝影師是最不存在難度的,由于工作性質(zhì)的關(guān)系,他們?cè)缇涂梢赃h(yuǎn)程工作了。但其他人就要難得多,比如主持人和制作人,這些人的工作都本應(yīng)在電視臺(tái)大樓里進(jìn)行。

好消息是,我們的新聞總監(jiān)已經(jīng)回來(lái)了,并要求其他團(tuán)隊(duì)成員在家辦公。天氣預(yù)報(bào)團(tuán)隊(duì)已經(jīng)開(kāi)始在家工作,所有節(jié)目主持人的時(shí)間安排也都做了調(diào)整。而這周我要上夜班,主持所有的晚間新聞節(jié)目,所有其他主持人將在家里審核臺(tái)本。但下周情況又變了,這些主持人將會(huì)輪流上崗。所以目前我的大部分工作還是在電視臺(tái)里完成的,下周可能就會(huì)有一些變化。

下一步是要讓制作人離開(kāi)電視臺(tái)大樓,不過(guò)這是非常困難的。制作人是處理所有信息的樞紐,新聞中的內(nèi)容都由他們整合,需要用電腦做一些非常復(fù)雜的工作。所以總是要有人在制作室里掌握時(shí)間,或者實(shí)時(shí)地做出一些決定。因此讓制作人在家辦公著實(shí)困難。

你和你的丈夫(《安克雷奇每日新聞》的記者凱爾·霍普金斯)都是新聞行業(yè)的從業(yè)者,家里還有兩個(gè)小孩,你們是如何應(yīng)對(duì)這種局面的?

我父親整個(gè)冬天都住在這里,他們本來(lái)是來(lái)滑雪的,所以疫情爆發(fā)時(shí),我父母就已經(jīng)在這里了。要說(shuō)都做了些什么,首先我們知道,自己還是得工作,而且工作時(shí)間會(huì)變得更長(zhǎng);而兩個(gè)女兒也要學(xué)習(xí),不能讓她們整天看電視,那絕對(duì)很糟糕。我母親是一名退休教師,所以我們自然而然地把兩個(gè)女兒送到了父母那里,雖然也很想她們,但還是覺(jué)得,這是個(gè)正確的選擇。

在這種情況下,專注于新聞工作是一件很有挑戰(zhàn)的事。你做這些工作時(shí)是什么感覺(jué)?

我想,由于我的孩子不在這里,所以我更容易專注,因?yàn)楣ぷ髂茏屛颐ζ饋?lái),我很喜歡這種感覺(jué)。我現(xiàn)在感到了一種更高的使命感,因?yàn)楹芏嗳诵枰@些信息。我也很感謝所有觀眾發(fā)來(lái)的郵件和打來(lái)的電話,即便它們現(xiàn)在大都很偏激。

作為一個(gè)管理者,你決定用什么樣的語(yǔ)氣對(duì)待你的員工?你是如何幫助他們克服困難的?

我認(rèn)為,最關(guān)鍵的是要非常小心,不要讓自己情緒失控。眼下大家的壓力都很大。要讓大家明白我們所做的工作的重要性,因?yàn)閷?duì)于觀眾來(lái)說(shuō),知識(shí)就是力量,所以你要把知識(shí)傳遞給觀眾。另外,也要關(guān)心每個(gè)人的未來(lái)。但是對(duì)觀眾來(lái)說(shuō)我們的工作真的很重要,所以重點(diǎn)還是應(yīng)該放在這上面。還有,要打電話給你的父母和朋友。我們的很多員工都很年輕的。

你是怎樣管理自己健康的?怎樣確保自己的工作狀態(tài)?

我平時(shí)經(jīng)常鍛煉。不過(guò)最近去的那家瑜珈館關(guān)門(mén)了,這讓我很難過(guò)。我常去的健身房也關(guān)門(mén)了,這些對(duì)我來(lái)說(shuō)都是很重要的地方。我剛從外面跑步回來(lái),每天工作后,還會(huì)和丈夫一起散步很長(zhǎng)時(shí)間。我們經(jīng)常這樣度過(guò)周末,早上8點(diǎn)起床,然后就去散步,只有我們倆。我需要陽(yáng)光和空氣。

你倆在家辦公時(shí),會(huì)討論工作上的事嗎?或者你們會(huì)約法三章,決定在家不談工作?

工作日,我們養(yǎng)成了一個(gè)壞習(xí)慣,就是談工作談得太多了,尤其是談?wù)撐覀兊膱?bào)道和失敗。而周末通常會(huì)好一些,我們會(huì)不談新聞的問(wèn)題,而是問(wèn):“你看完這本書(shū)了嗎?”或者“你看到女兒們發(fā)來(lái)的搞笑短信了嗎?”

阿拉斯加的疫情遠(yuǎn)遠(yuǎn)沒(méi)有達(dá)到拐點(diǎn),所以你為員工做了哪些應(yīng)對(duì)準(zhǔn)備,并確保他們的健康?

他們互相之間沒(méi)有接觸,這也是我們的目標(biāo)之一,我們給大家分別分配了屬于自己的車輛和器材。公司還買(mǎi)了很多新的筆記本電腦,這樣大家就不用互相接觸了。以往情況下,我們的規(guī)定是,下班后要把設(shè)備留在電視臺(tái)里;而現(xiàn)在,我們請(qǐng)員工把設(shè)備帶回家。

在主持晚間新聞時(shí),獨(dú)自一人在演播室的感覺(jué)怎樣?

很孤單。前幾天我還想過(guò)這個(gè)問(wèn)題,當(dāng)時(shí)還拍了張照片,因?yàn)檫@些年,我身邊總是坐著另一個(gè)主持人邁克·羅斯,我們倆一起主持十幾年了。而現(xiàn)在,這個(gè)一直不變的搭檔卻不在身邊,這種感覺(jué)很奇怪。《新聞一小時(shí)》從來(lái)沒(méi)有一個(gè)主持人的時(shí)候,而昨天卻只有我一個(gè)人。這很奇怪。

觀眾有什么反應(yīng)?

人們有一大堆的問(wèn)題。我們現(xiàn)在有一名記者專門(mén)負(fù)責(zé)回答有關(guān)新冠肺炎的問(wèn)題。我們快被問(wèn)題淹沒(méi)了?,F(xiàn)在也有更多的人打電話過(guò)來(lái),告訴我們“我很欣賞你們的工作?!蔽易罱拥搅艘粋€(gè)觀眾的電話,他問(wèn)我:“你好嗎?”這讓我感覺(jué)很好。(財(cái)富中文網(wǎng))

譯者:隋遠(yuǎn)洙

As the assistant news director for Anchorage’s KTUU-TV and anchor for The NewsHour, Rebecca Palsha-Hopkins always has to remain ready to change things up to react to breaking news. But few stories have taken over the news the way the coronavirus outbreak has.

Fortune spoke with Palsha-Hopkins—who joined NBC affiliate KTUU-TV 14 years ago as a reporter—about ramping up the reporting on the COVID-19 epidemic while figuring out how to send the staff members to work at home for a new series, The Coronavirus Economy.

The following Q&A has been condensed and lightly edited for clarity.

Fortune: Not that there's an average day in the news business, but what was it like before the coronavirus epidemic became the biggest story of every day?

Palsha-Hopkins: I work on a lot of special projects, so either I would start working on a project of my own—I recently did a big climate-change series—or with reporters on their stories helping them figure out Who should you interview? What's vital to the story? That would progress into getting ready to anchor for the day, and looking over all the rundowns (which outline what happens during each minute of a newscast) to make sure the scripts looked good. I usually worked [from] 9 a.m. to around 7:30 p.m.

What did yesterday look like? How has your day changed?

It's been changing dramatically since this whole thing began. My news director was [in remote areas of Alaska] on the Iditarod Trail when it started. I was coming up with a plan for how to get people out of the office and not working in the building. That was about halfway through the Iditarod (around March 13), and then it progressed even faster toward the end of the race (March 22) that no reporters and photographers should be in the building except to work video into the system.

I'm the assistant news director, so it was is this the right call kind of struggles to deal with. I was in touch with the news director over email.

I think of a news broadcast as a collaborative, everybody-there thing. How did you set up the plan to move people to working at home?

It was a lot of reaching out to people I know at other stations to see what they were doing. The reporters and photographers were the easiest people to keep out of the building because they're able to do things remotely live already. It's the other people that are much more difficult to deal with—anchors and producers. Those people are always in the building.

What's nice is that now that my news director is back, she's taken the lead of getting the other team members out of the office. The weather team is already working out of their homes. All the anchor schedules have changed. This week I'm working a night shift and will anchor all the evening newscasts and all the other anchors will work from home approving scripts. And that will change next week; the anchors will be in a rotation. So much of my job is still in the building, so we'll see next week what that means for me.

The next step is getting producers out of the building because it's very difficult. They are the funnel for taking all the information. So they put what's in the newscast. They have some computer stuff they need to do that's really complex. You have someone who is physically there keeping time and making decisions that are happening in real time. That's a difficult job to do outside of the building.

You and your husband, Anchorage Daily News reporter Kyle Hopkins, are both in the news industry. Since you have two young kids, how are you handling this?

My dad stays with us in the winter to go ski, so he and my mom had been here already when everything started ramping up. When it came to the question of what do we do, we knew we still have to work and the hours are going to get longer, and the girls still have to do some schoolwork. We can't just have them watching television all day long. That felt like an awful choice. My mom just retired as a teacher, so it was an easier choice for us to send our girls to live with my parents. We really miss them, but we both feel like we made the right choice.

Being immersed in the news right now can be challenging. What is it like working on all of this for you?

I think because my children aren't here, it's easier because work keeps me busy. I appreciate that. Now it feels like a higher calling because many people need this information. I appreciate that, and I appreciate all the emails and calls from viewers, which are extreme right now.

As you're in a management position, what kind of tone did you decide to take with your staff? How are you helping them get through this?

I think it's about being really careful about not ramping up your own emotions. These are stressful times. It's about communicating to people the importance of the work we're doing because knowledge is power for our viewers. They need all this information. So just kind of conveying to people that yes, it's stressful and yes, you should be worried about everyone's future. But really, what we're doing is so important to our viewers, so you should really focus on that. Also, call your parents. Call your friends. A lot of our staff is really young.

How are you managing your own health? What are you doing to make sure you can keep moving forward?

I exercise quite a bit. I've been really sad because my yoga studio is closed. My gym is closed. These are all places that are important to me. I've just gone back to running outside and taking long walks with my husband outside after work. That's what we do on the weekend. We get up at 8 a.m. and just kind of walk. The two of us. I need the sunshine and the air.

Do the two of you discuss your work at home? Or do you put limits on it?

During the week we have a bad habit of talking about it too much, and talking about our stories and our frustrations. On the weekends, it's better because then it moves from news to "Did you finish this book?" and "Did you see the funny text from the girls?"

Since coronavirus is still far from its peak in Alaska, how are you preparing your staff for what's to come and keeping them healthy?

They don't come into contact with each other. That's one of our goals. We assign people their own cars and their own equipment. The company bought a whole bunch of new laptops with the idea that people don't have interaction with each other. Normally we have a policy that you drop your gear off and everything stays in the building. And now it's please take it home with you.

What's it like to be in the studio on your own when you're the anchor for the evening?

It's lonely. I was thinking about this the other day. I took a picture because, in particular, I've worked with my coanchor Mike Ross for almost my whole career. I've sat beside him for 10-plus years. This constant is gone. It's strange. The NewsHour has never had just one anchor. And yesterday it was just me. It's weird.

What have you been hearing from viewers?

People just have tons of questions. We now have a reporter just devoted to answering questions about the coronavirus. We're just inundated with questions. And people are also calling more than ever and saying I appreciate your work. I had a viewer call in to ask, “Hey, how are you doing?,” and it made me feel good.

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